It’s a very sexual advert because there are four men and one woman three of them is standing round the one woman and one of the men is hold her down and two of the men are half naked

The denotations of this is that it is a poster and the connotations are that is sexy looks like men can get women when buying this product

I think the advert is saying that if you buy this product you can get the oppose sex and the advert is for teenagers and young adults 

Banned Commercials - Microsoft Xbox

I think this advert is banned because it is someone been born with people do not like to see and the baby is shot out and though the widow which would hurt the baby that people don’t like and he fly’s though the air getting older which is not nice to see and at the end he fly s in to a grave and dies which shows that all life is death

 

The overarching principles of this Code are that advertisements should not mislead or cause serious or widespread offence or harm, especially to children or the vulnerable. Broadcasters are responsible for ensuring that the advertisements they transmit comply with both the spirit and the letter of the Code. All compliance matters (copy clearance, content, scheduling and the like) are the ultimate responsibility of each broadcaster. The ASA may decline to investigate where there is a dispute which, in its view, would be better resolved by another regulator or through the Courts.

Advertisements must not be harmful or offensive. Advertisements must take account of generally accepted standards to minimise the risk of causing harm or serious or widespread offence. The context in which an advertisement is likely to be broadcast must be taken into account to avoid unsuitable scheduling (see Section 32: Scheduling).

Children must be protected from advertisements that could cause physical, mental or                moral harm.

Living individuals should be protected from unwarranted infringements of privacy. Broadcasters should respect an individual’s right to his or her private and family life, home and correspondence. Advertisements featuring an individual should not imply that that individual endorses a product if he or she does not (see Section 3: Misleading Advertising).

Ofcom

To ensure that generally accepted standards are applied to the content of television and radio services so as to provide adequate protection for members of the public from the inclusion in such services of harmful and/or offensive material.

To ensure that people under eighteen are protected

To ensure that material likely to encourage or incite the commission of crime or to lead to disorder is not included in television or radio services

To ensure that broadcasters exercise the proper degree of responsibility with respect to the content of programmers which are religious programmers?
To ensure that religious programmers do not involve any improper exploitation of any susceptibilities of the audience for such a programmer.
To ensure that religious programmers do not involve any abusive treatment of the religious views and beliefs of those belonging to a particular religion or religious denomination.
To ensure that news, in whatever form, is reported with due accuracy and presented with due impartiality.
To ensure that the special impartiality requirements of the Act are complied with.

Number of complaints:

1

Agency:

Bray Leino Ltd

Complaint Ref:

A11-160752

Ad

A TV ad, for a spot treatment, stated “The only spot treatment with an anti-inflammatory, which helps stops your angry spots. It’s unique. Nothing else works like this. Nothing fights spots like Freederm Gel”.

Issue

SkinMed Ltd, who said their Aknicare product contained four anti-inflammatories, challenged whether the claim “The only spot treatment with an anti-inflammatory” was misleading.

This is the best Ident I think because it is clever and I don’t think you can fault it you can see the four well and it well mad and does not bore the watch the Ident is that different objects make up the four when the camera comes round there have done this on most of their indents. There is no text in this Ident as all the other ones their have I has just the logo but you can see it really clearly

This is the worst Ident I think because it is long and boring and makes no sense for the program

This is a very good Ident it is well made and clever the only thing is does not say sky

This Ident does not work for me it is too boring and the logo is hard to see

This is a very good Ident the buildings look really good and make it intestine the only bad thing is that the background looks about like the logo but u can still see the logo

This is a very boring Ident but the film four is clear to see so I think it this Ident work

This is e4s Ident I don’t think is any good because it has too much going on and the story does not make much sense

Dave is not the best for making indents I don’t think but there do get the point that it is Dave because the logo is clear to see 

This Ident works well because it is simple it gets the point out that it is comedy central

This Ident works as it is for kids because it stands out you know it is cbbc and the BBC

This Ident is boring but it gets the point out by the fact that the logo is clear to see

This channel four Ident is one of the best indents made I think well there the best for making indents in my mind there just really clever how there make the four up

This Ident does not make any sense to me and it is too long for what it is because the dances go on and on the same dance  

This Ident is a very good one for BBC two it is clever and u can see the two really clear the only thing I can see  wrong with it that it does not say BBC

 

This is a very cool looking Ident but it is not the best because it is white writhing on a white background but I like the moon idea

This Ident works because it is bight and makes you want to watch it and you can see the logo well

          Gary Jordan jack Dan

Communication

  6/10                

Visual

6/10

Ident

7/10

The Ident was good but it went wrong in one bit and the communication was a bit quite in bits and was not clear    

Jordan Neale Dan Kieran    

Communication

8/10

Visual

6/10

Ident

8/10                                                               

The Ident was very good I like the music it goes well with the Ident and I could hear them very well but the power point was a bit bordering.

Billy molly Liam Chloe Paul

Communication

7/10

Visual

7/10

Ident

8/10    

The Ident was very good the best in the class also the power point was colourful but It just had loads pictures on it and not a lot of write but they did tell you a lot speak but it was a hard hear sometimes

Callum, Joe and Jamie and Gavin are doing an indent for park hall media using stop start animation to do the indent we are use king Kong and Godzilla as a characters for this Ident which are well known media characters and we are going to make the characters out of clay and make them fight then they will pull up the logo out of the ground and broth hold up in the air and that will be are Ident

Proposal for:   an Ident for park hall media that will reflect the media department and be suitable for the media department. And that advertise the media department at park hall, which would be interesting or entertaining for the viewer. We tried to do something which would catch the eye (King Kong and Godzilla fight) so people would notice it more.

Objectives:  To make an Ident for park hall media to reflect and adverts park hall media and used every time the media department films anything for the school for example news events about what is happening in the school and any events. So it will be all over everything the school which is showed to the students like on the TVs around the school.   

We hope to achieve to make and Ident that is suitable to reflect park halls media department and appeal to the students also that it is recognise by everyone in park hall and who knows the school. Hope that the pubic outside and the students and staff of the school like it as there are a big part of the school and need them to like it. 

We will achieve this by making an Ident that people really in joy and appeals to everyone with characters that everyone knows and loves also the characters are colourful and the Ident will have fighting in it which most of the lower students like these days which will make them stand and watch the Ident with will make them watch the thing that is after the Ident.

The characters we have chosen are King Kong and Godzilla   we decided to use these characters because we wanted to create an Ident which would be unique and catch the eye of the audience. Also, we felt people would take attention to it if it came up on a screen around school. We have chosen our characters and drawled them up and here there are we are now editing it on power director

Scaffold for review-animation

I think our final animation has turn out not as well as we hope for it is ok but things went wrong in it like the back ground

I think it did not match my expectation because we had really good characters and story but it was not so good when it was made in to the final cut so I thought I should have been better than it was

The audience we surveyed was female and male and 16 to 18

We could improve our animation by putting a better background in it and make the pictures move faster and put more violence in it we can tell that we need to improve those things because have told us that the background is to dull and to put more violence

The strengths of the animation are the characters and the logo for park hall media as everyone on the surveys put yes too do you like our characters

Our characters will be King Kong and Godzilla, Godzilla is a 1998 American action science fiction film directed and co-written by Roland Emmerich and starring Matthew Broderick, Jean Reno, Maria Pitillo and Hank Azaria. It is loosely based on the Japanese Godzilla franchise and is a re-imagining of the 1954 Japanese film of the same name.

 

 

     

this is what king kong looks like

this is my drawing of king kong and we are going to be making a model of it.

willis o brien : For his early, short films which was The Dinosaur and the Missing Link: A Prehistoric Tragedy O'Brien created his own characters out of clay, although for much of his feature career he would employ Richard and Marcel Delgado to create much more detailed stop-motion models based on O'Brien's designs with rubber skin built up over complex, articulated metal armatures.

Ray Harryhausen : Before the advent of computers for camera motion control and CGI, movies used a variety of approaches to achieve animated special effects. One approach was stop-motion animation which used realistic miniature models more accurately called model animation, used for the first time in a feature film in The Lost World  1925, and most famously in King Kong 1933.

jan svankmajer : An early influence on his later artistic development was a puppet theatre Švankmajer was given for Christmas as a child. He studied at the College of Applied Arts in Prague and later in the Department of Puppetry at the Prague Academy of Performing Arts. In 1958 he contributed to Emil Radok's film Doktor Faust

the brothers quay : In England they made their first short films, which no longer exist after the only print was irreparably damaged.They spent some time in the Netherlands in the 1970s and then returned to England where they teamed up with another Royal College student, Keith Griffiths, who produced all of their films. The trio formed Koninck Studios in 1980, which is currently based in Southwark, south London.

me joe and jamie and gavin are doing an ident for parkhall media useing stop start animation to do the ident we are use king kong and godzilla as a characters for this ident which are well know media characters and we are going to make the characters out of clay and make them fight then they will pull up the logo out of the ground and borth hold up in the air and that will be are ident

Ident channel	Length and format	Type of sound describe it diegetic/non diegetic	Target audience	Setting/props characters no of characters
BBC one	It’s on for 1:52		Anyone	Lots of dogs
E4	It’s on for 0:14	Seagulls and sea	Teenagers and young adults	Teddy bears
Channel 4	It’s on for 0:42	Bells and music	Anyone	Crain’s
Sky 3	It’s on for 0:18	Xmas music	Anyone	A big 3 that turns in to a tree

Aardman Animations, also known as Aardman Studios, or simply as Aardman, is an Academy Award-winning British animation studio based in Bristol, United Kingdom. The studio is known for films made using stop-motion clay animation techniques, particularly those featuring Plasticine characters Wallace and Gromit. However, it successfully entered the computer animation market with Flushed Away (2006).

Joseph Plateau  was born in  Belgian. He was the first person to demonstrate the illusion of a moving image. To do this he used counter rotating disks with repeating drawn images in small increments of motion on one and regularly spaced slits in the other. He called this device of 1832 the phenakistoscope.

william Horner published a mode of solving numerical equations of any degree, now known as Horner's method. According to Augustus De Morgan, he first made it known in a paper read before the Royal Society, 1 July 1819, by Davies Gilbert, headed A New Method of Solving Numerical Equations of all Orders by Continuous Approximation, and published in the Philosophical Transactions for the same year. But this version of the history is comprehensively denied by later historians.

Charles-Émile Reynaud , responsible for the first projected animated cartoon films. Reynaud created the Praxinoscope in 1877 and the Théâtre Optique in December 1888, and on 28 October 1892 he projected the first animated film in public, Pauvre Pierrot, at the Musée Grévin in Paris. This film is also notable as the first known instance of film perforations being used.His late years were tragic from 1910 when, crushed by the new Cinematograph, dejected and penniless, he threw the greater part of his irreplaceable work and unique equipment into the Seine as the public had deserted his "Théatre Optique" shows which had been a celebrated attracted at the Musée Grevin between 1892 and 1900.

Eadweard J. Muybridge was an English photographer but lived in the United States. He is known for his pioneering work on animal locomotion which used multiple cameras to capture motion, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip.

The Kinetoscope is an early motion picture exhibition device. Though not a movie projector—it was designed for films to be viewed individually through the window of a cabinet housing its components—the Kinetoscope introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it creates the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter.

George Pal was a Hungarian-born American animator and film producer, principally associated with the science fiction genre. He became an American citizen after emigrating from Europe. He was nominated for Academy Awards in the category Best short subjects, Cartoon no less than seven consecutive years 1942–1948 and received an honorary award in 1944.

some of this source from wikipedia

we are going to do a music video for muse and the song we are going to do is supermassive black hole muse play Alternative rock, new prog, space rock, symphonic rock muse use a lot of lights flashing all the time and like to put a good show on muse try and target any age how likes there music but i would have to say 15 to 30

Straight ahead action and pose to pose:

These are two different approaches to the actual drawing process. "Straight ahead action" means drawing out a scene frame by frame from beginning to end, while "pose to pose" involves starting with drawing a few, key frames, and then filling in the intervals later."Straight ahead action" creates a more fluid, dynamic illusion of movement, and is better for producing realistic action sequences. On the other hand, it is hard to maintain proportions, and to create exact, convincing poses along the way. "Pose to pose" works better for dramatic or emotional scenes, where composition and relation to the surroundings are of greater importance. A combination of the two techniques is often used.

Follow through and overlapping action:

These closely related techniques help render movement more realistic, and give the impression that characters follow the laws of physics. "Follow through" means that separate parts of a body will continue moving after the character has stopped. "Overlapping action" is the tendency for parts of the body to move at different rates an arm will move on different timing of the head and so on. A third technique is "drag", where character starts to move and parts of him take a few frames to catch up

Slow in and slow out:

The movement of the human body, and most other objects, needs time to accelerate and slow down. For this reason, an animation looks more realistic if it has more frames near the beginning and end of a movement, and fewer in the middle. This principle goes for characters moving between two extreme poses, such as sitting down and standing up, but also for inanimate, moving objects, like the bouncing ball in the above illustration

Arcs:

Most human and animal actions occur along an arched trajectory, and animation should reproduce these movements for greater realism. This can apply to a limb moving by rotating a joint, or a thrown object moving along a parabolic trajectory. The exception is mechanical movement, which typically moves in straight lines.

Secondary action:

Adding secondary actions to the main action gives a scene more life, and can help to support the main action. A person walking can simultaneously swing his arms or keep them in his pockets, he can speak or whistle, or he can express emotions through facial expressions. The important thing about secondary actions is that they emphasize, rather than take attention away from the main action. If the latter is the case, those actions are better left out.

Timing:

Timing refers to the number of drawings or frames for a given action, which translates to the speed of the action on film.On a purely physical level, correct timing makes objects appear to abide to the laws of physics; for instance, an object's weight decides how it reacts to an impetus, like a push. Timing is critical for establishing a character's mood, emotion, and reaction. It can also be a device to communicate aspects of a character's personality.

Exaggeration:

^{Exaggeration is an effect especially useful for animation, as perfect imitation of reality can look static and dull in cartoons. The level of exaggeration depends on whether one seeks realism or a particular style, like a caricature or the style of an artist. The classical definition of exaggeration, employed by Disney, was to remain true to reality, just presenting it in a wilder, more extreme form.}

Solid drawing:

The principle of solid drawing means taking into account forms in three-dimensional space, giving them volume and weight. The animator needs to be a skilled draughtsman and has to understand the basics of three-dimensional shapes, anatomy, weight, balance, light and shadow etc.

Appeal:

Appeal in a cartoon character corresponds to what would be called charisma in an actor.A character who is appealing is not necessarily sympathetic — villains or monsters can also be appealing — the important thing is that the viewer feels the character is real and interesting.

 1.Squash and stretch

The most important principle is "squash and stretch the purpose of which is to give a sense of weight and flexibility to drawn objects. It can be applied to simple objects, like a bouncing ball, or more complex constructions, like the musculature of a human faceTaken to an extreme point, a figure stretched or squashed to an exaggerated degree can have a comical effect.

2. Anticipation Anticipation is used to prepare the audience for an action, and to make the action appear more realistic. A dancer jumping off the floor has to bend his knees first; a golfer making a swing has to swing the club back first. The technique can also be used for less physical actions, such as a character looking off-screen to anticipate someone's arrival, or attention focusing on an object that a character is about to pick up.^[